Be*mused

Decisions, decisions

It takes longer to decide on fabrics for these blocks than to stitch them up!

**Hooked on Downton Abbey?  You can play with these hilarious paperdolls while you're waiting for Season 3.

Let's get this show on the road

**Note to self ~ Look, Jan, you've indulged this 3-week-old, nagging cold-from-hell quite long enough. Time to get moving, answer your emails, upload the rest of the quilt photos to your Flickr album and finish up the Festival posts.  And why you thought it was a good idea to leave all of your Christmas decorations in the living room to re-sort when you returned from Japan ~ beyond me!

 

Mary Koval's always-busy booth

As I have written, to my eye, the show this year seemed a little unfocused, but my perception was perhaps influenced by the nature of my visits this year...each shorter than my usual days at the show due to other commitments.  I often found myself darting around, looking for categories that weren't included this year and getting turned around, more than usual, in the maze-like exhibits.  Early on, however, I headed to the vendors' aisle of antique quilt dealers, where there are always some gems to be found.  

First stop...Mary Koval's booth.  Of all of the wonderful quilts that she brought, I found this border on a simple red & green basket quilt the most captivating. Note how that corner is a set-in block.

Next stop, Labors of Love Antique Quilts.  'MovingHands' Jennifer works a few days each year in this booth and though we tried to coordinate our days at the show to accommodate our usual visit, sadly, we couldn't make it work this year.  The graphic fan quilt (above) beckoned passers-by into the booth, which was crazy busy when I stopped by.  Unfortunately, I forgot to return, but did take more photos before I left, which I'll post in the Flickr album.

Each year, the Tokyo Quilt Festival promotional materials feature a different quilt.  This year, they displayed the original quilted piece next to the 2012 poster.  I was shocked to see how tiny the original was!  And by the crowds often clustered around it, I wasn't the only one. 

Detail, Quilt Festival promotional piece

Each year, upon my return, two items come up over and over again in comments and emails...'What were your favorite quilts this year?' and 'Tell us about the fabric!'.  I'll talk about fabric next time, but this year, I had more favorite sections of quilts than overall favorites.

Detail, travel quilt

I absolutely loved these flower blocks (above), which were part of a travel-themed quilt.  I've seen that block featured many times in old issues of Japanese quilt magazines, but never in such beautiful fabric/color combinations. 

How about this quilt?  These wonderful little silhouette figures covered the whole piece, each embroidered with individual identification.

The echo quilting!

Can you believe I didn't get a full shot of this one(above)?!!!  I meant to return when the crowds dissipated and forgot. 

Detail, 'WA' category quilt

Although I explain it in the text accompanying my Festival Flickr albums, invariably I get questions regarding the 'WA' quilt category...as in, what is it?  The "Wa" category designates quilts made in a uniquely Japanese style...in design and from vintage Japanese fabrics.

Detail...fabrics include vintage indigos, aizomes and sarasa prints.

The artist who made this wonderful piece used quite a variety of vintage Japanese fabrics, as is her style. We had to smile as Molly read the accompanying artist's statement on our first day at the show. 

Artist Yoshiko Yamamoto, me, Molly

The quilt is Yoshiko Yamamoto's interpretation of the transformation of her small town as new construction encroaches upon it.  I've watched these changes over the years as I spent my very first night in Japan at Yoshiko's home in 1994.  You might recall that last year, she had a quilt in the show.  This year, she had two pieces!

Yoshiko Yamamoto ~ Frame Quilt Category

I've mentioned my friend before, but one of these days, I'm going to write a bit more about her...and us.  For now, I'll just say that it is always a highlight of any trip to Japan if we can manage at least a short visit over a cup of coffee at a quilt show.  And this time, we did!

The stars come out

In the past, Molly & I have always spent our first day at the Tokyo show on the first Saturday of its run. However this year, due to other family plans, it worked out better for me to go to the show alone on Friday, opening day, where Molly would join me later. Unfortunately, I neglected (rather, was unable) to read the fine print on the ticket which noted that due to opening ceremonies, general admission would be delayed on Friday until 11:00 am. Which resulted in me standing in a long line outside of the Tokyo Dome for over an hour. Which wouldn't have been so bad if it hadn't been for the unrelenting sleet-snow mixture and gusty winds which blew my umbrella inside-out several times. Needless to say, by the time I entered the show, I looked like something the cat dragged in. And felt a little like it, too.


Suzuko Koseki & Kumiko Fujita

Nevertheless, I hit the ground running, wanting to make the most of my now reduced time at the show. As usual, I first headed to my two favorite vendors' booths, La Clochette and Keiko Goke's Wonderland, before viewing the show. After quickly picking through the new Koseki fabrics, I turned around to find Suzuko Koseki and Kumiko Fujita standing right there. How could these two smiling faces not be a good start to the day!

Kathy Nakajima's Hawaiian quilt room

On Keiko Goke's recommendation, I headed to the featured artists' rooms after our visit. A popular annual exhibit at the festival, these rooms line a dedicated aisle which is always pretty crowded. Kathy Nakajima's room is often at the beginning, probably because it is always so lush and inviting...a total Hawaiian experience! She is a longtime Japanese quilting star, originally popularizing the classic Hawaiian applique style quilt, though it seems her work now has morphed into something a bit looser, though still rooted in the tradition.

Keiko Goke's featured space

Keiko Goke's room followed, its design based on a flower shop theme to showcase her many floral quilts. I have mixed reaction to these rooms. In this case, I think the format worked well. It's interesting to see an artist's quilts grouped together in one space, easier to see how her work develops along a theme, or within a certain time period.

Small Goke quilt

I showed Goke's featured quilt, Sending the Bouquet for Heart of All, in a previous post. It was complemented beautifully by this smaller, exuberant piece.

The artists are scheduled to appear at their featured spaces throughout the show week and I happened by one time when Keiko was speaking to a large, hushed crowd. Although she spoke in Japanese, her heartfelt words didn't need translation.

Fumiko Nakayama's featured space

Across the aisle was Fumiko Nakayama's room, featuring her gorgeous mola-style quilts. This is where I find the room concept very frustrating as a viewer. Understandably, there's roping keeping people from advancing into the space. But these quilts, however beautiful and striking from a distance, are so detailed that I want to see them UP CLOSE.

Detail, small Nakayama quilt...click for closeup.

Fortunately, this quilt, which I showed in a previous post, was hung on a perpendicular wall close to the rope, allowing some scrutiny...and a quick photo.

Yoko Saito's Scandinavian-themed room

Yoko Saito, of taupe quilt fame, has legions of fans around the world so it is no surprise that each year she is included in this exhibit. While it is interesting to see her vision in putting together the space, I think her work suffers the most from this format as it's almost impossible to see any details in her subtle work.

That quilt on the wall is completely hand appliqued and quilted. Pass the binoculars.

Quilters like Saito who design and make smaller, utilitarian pieces are able to integrate them into their rooms, however, showcasing a fuller range of work.

Small Saito quilt...note the dense hand-quilting.

As in the Nakayama space, a small quilt was hung on the side wall of Saito's room, near the roping. Perhaps a nod to enquiring minds...or eyes.

Junko Sawada's featured space

Many know Junko Sawada's quilts for their whimsical style. Her quilts have been featured in all of the Tokyo shows I've attended and if you've viewed my past Flickr albums, you are probably well familiar with her work.

'Messengers of Happiness'

Tables full of fabric sweets and fruits dotted Sawada's room.

While most artists appear for scheduled talks or mingling with visitors, Shizuko Kuroha actually sits and sews in her space. Made from vintage Japanese fabrics, her beautiful quilts are difficult to appreciate fully from photos. Stunning is an understatement.  She's also the author of numerous popular quilting books.

'The Sun Shines Brilliantly' (featured quilt, to right)

Kuroha's space was designed to replicate a traditional Japanese room. Here she's laughingly telling the crowd, "I don't really live like this!". I have seen Kuroha at each show I've attended and she's always smiling.

These quilters are all dedicated teachers who have an enormous amount of influence on the current state of Japanese quilting through their distinctive work, classes & books and, in some cases, even their fabric lines. While some would suggest that they have a vested interest in being accessible, in my limited experience, it seems that perhaps it is partially because of this open friendliness that they have achieved such success.

**I continue to edit and upload photos to the 2012 Tokyo show Flickr album.  Still over a hundred more to go...but I've saved some of my favorites for the end!

 

Type, hit save. Repeat.

Arghh.  I just spent all morning editing photos and writing a long post about the Tokyo show.  And then, after a quick review, as I was inserting a couple of last links...*poof*.  I lost it. 

No time to redo right now...it's washday!  Blues, greens, yellows. The dryer's beeping that they're ready so I'm off to iron and add them to the stash.  I have a few projects going that are crying for them.  You know how that is...can't wait to use the new stuff.

The other post?  I'll try again later this afternoon. And hit *save* along the way.  Why is that so hard to remember?

The show

Born Free ~ Miyoko Murata

Each day this week, I've intended to show up here and write about the Tokyo show.  And each day has found me ruminating on how best to convey my experience and reactions.  This morning I sat down and went through my photos for the hundredth time and things fell into place. 

'Meeting Hearts by Quilts ~ Praying for Recovery and Renaissance from the Great East Japan Earthquake'...this was the theme of the show that attendees first encountered upon entering this year's Tokyo International Great Quilt Festival.  Although most of the signage was in Japanese, one phrase prominently featured was 'Prayers by Needles'. 

Zest for Living ~ Noriko Hayashi

Detail ~ subtle, small tossed houses

The 34 quilts in this display were made by invited artists, many whose work I recognized from previous shows.

 

The Distance to Reconstruction ~Masako Katase

They reflected a range of emotions.  Sadness.  Hope.  Acceptance.  

Requiescat ~ Yuko Kita

 

 
HOPE ~ Yoshiko Miyamoto

 

Life Goes On ~ Akane Sakamoto

A determination to stand together and move forward.

 

 
You are not alone ~ Riyoko Fujimoto

 

Let's Take Action to Connect ~ Noriko Nozawa

 

With a Single Mind ~ Misaki Okabe

I learned later that the quilts were included in a silent auction to raise funds for the recovery, part of an ongoing effort throughout the country to address the terrible aftermath of last march's tragic events. 

Sending the Bouquet for Heart of All ~ Keiko Goke

This theme was evident, though more subtle, in other exhibits at the show.  As in past years, there was an aisle of featured quilt artists' 'rooms'.  Keiko Goke's room was set up like a flower shop, the featured quilt, 'Sending the Bouquet for Heart of All'.  I was fortunate to chat with Keiko several times during my visit (more in a later post) and the weight of her experiences in Sendai last March was palpable.

Quilt room of Fumiko Nakayama

Late in the afternoon of my second visit to the show, Molly & I stopped by Keiko's booth to say goodbye.  She happened to be chatting with Fumiko Nakayama, the Japanese quilt artist who is so well known for her contemporary quilts in the mola style.  (She has gorgeous quilts in each of my Tokyo Quilt Festival Flickr albums...instantly recognizable.)  Keiko introduced her to us and Molly told her in Japanese how much she enjoyed the quilt in her special exhibit room.  She replied that after the earthquake, she wanted to make something joyous, green, with things growing and regenerating.  Hopeful.

Wind of May ~ Fumiko Nakayama

I left Japan with the feeling that the show was more subdued than in past years.  That it had a distracted quality...the category content, the individual shows, the depth of the work.  That compared to past years, it was less.  But here's the funny thing.  As I've gone through my photos...reviewing, editing, remembering...in some ways, it seems like more.  I'm so grateful that I was able to attend this year.

Signs at the departure gates, Narita Airport

***Lots of photos have been added to the 2012 Tokyo Quilt Festival Flickr album and have many more to upload.  Thanks for your comments on individual photos, I love hearing which pieces you like most.

Year of the Draggin'...er, Dragon

2012 ~ Year of the Dragon

All year I had my January Japan trip penciled in as the usual 'girls' visit'...a 10 day or so stay with Molly during the Quilt Festival, a few special outings together and then several of her work days to wander on my own. That all changed in November, when K&H, who now live in Shanghai, decided to come to Japan during their Chinese New Year holiday week. Molly's fiancé, working on assignment in Beijing, also had the holiday week off. At this point, M wasn't about to be left out. It turned into quite the family affair, M & I spending the first few nights with Molly at her cute, little Tokyo place. Then, upon the China contingent's arrival, a move for all of us to a larger apartment which we rented for 5 nights...sort of a delayed holiday, since none of us were together for Thanksgiving or Christmas.

Must have shot this during the 5.0 earthquake we experienced one evening.

We've never done anything like this before. Happily, Molly was able to do some internet legwork for us and we booked a wonderful, convenient place close to a major train station on her side of the city. We had the top floor apartment...what a view at night! Of course, I was surreptitiously checking it out as a possible place to stay with friends once Molly eventually leaves Tokyo. (Thumbs up!)

Nothing tastier than a traditional Japanese birthday cake.

Among the six of us, we were going from morning to night...sometimes together, often pairing off in different permutations to meet later as a group for dinner. And what kept me busy? Showing M around Tokyo, visiting Molly's workplace, trekking out to Nezu to a museum dedicated to one of my favorite illustrators, Takehisa Yumeji, celebrating my birthday (my first with both kids since K was in high school) and many late nights of Settlers of Catan marathons. We brought a 5-6 player extension pack with us...yes, we are all addicted. There were a few noteworthy outings which I'll save for another post and, of course, the Tokyo International Great Quilt Festival...which I'll start to cover next time. The quilts, the people, the fabric...the experience.

By Fumiko Nakayama

I have started the Flickr album of the 2012 Tokyo show. I know you're anxious to see the quilts but ask that you please bear with me as I get my photos posted over the next week or two. I necessarily crop and color-correct my shots, due mostly to the uneven lighting at the show. Then once the photos are set to upload, have to hunt down each quilt in one of two show catalogs for identification info. A bit time intensive!

Slow Mo

I got back last evening and am moving in definite slow motion today.  It was, perhaps, my most busy trip to Japan yet and toward the end, I developed a terrible cold from which I'm suffering the effects this morning.  It's snowing out and I'm still in PJs, which may just end up being an all-day situation ~ the snow and the PJs.

Although the suitcases aren't yet unpacked, I couldn't wait to upload my photos and am happy that I'll have lots to share over the next few weeks.  As in previous years, I'll put up another Flickr album from the Tokyo Quilt Festival and will post a link here once I get that started.

Until then, here are a few teaser shots from the show...detail shots from some of the exhibited quilts.  I was lucky enough to again be able to visit on two days and am anxious to share my experiences and observations.

Back in a few days!

Washing blues

I've made no secret here that I'm almost fanatic about pre-washing my fabric before using it in my quilts. No matter the color or lack of intensity, 'Be prepared' is the motto of this longtime scout. I'd prefer a little work now to avoid surprises later. Until this time, through all of our moves, the appliances came with the house so in August, I found myself shopping for a new washer-dryer set. I never pay attention to things like what's new in appliances until confronted with replacing something, so imagine my surprise when I couldn't find any like I'd had...only these new high effieciency models.

Now, I'm all for progress, but if given the choice, would really just prefer to use what I'm used to. When I asked about the availabilty of any non-HE model, the slaesman replied, 'Oh, you mean the granny-style?'. Hrumpff. I'll bet that's in the sales training. In the end, due mostly to space considerations, I came home with the new models, which I did learn to like, flashing lights/beeping alerts and all. Until November, when I wanted to pre-wash some new fabric.

As you can see from the diagram under the hood, these washers use much less water and it's normal for the contents to not be totally covered by it during the cycle. Well gosh, how's my new fabric supposed to slosh around and shed all of those loose dye molecules if it's all jammed together with just a bit of water?

Some pieces of Malka's new line...waiting for a dunk.

I thought about this for a while and Googled around, deciding that if I continued my original practice to first soak my fabric in a sink, I'd not only be able to identify any possible offenders pre-washing machine, but now it would all weigh more...wet...which would trick the machine into sensing a bigger load and subsequently add more water! It seems to have worked well on the small bit of fabric I have washed since the summer. Really, I moved so much yardage (tonnage?) when we moved, it seriously discouraged much further accumulation  (That effect does wear off, however, over time...)

Which brings me to yesterday's adventure. Do you remember that last March, Molly returned to the states for a week while things settled down in Tokyo after the earthquake?  She had grabbed a few things she wouldn't want to lose if things got bad again while she was away and then left some of those items with me, for safekeeping, for a while. Including her quilt.

I decided to pull it out and wash it up for her, since my machine is so much bigger than her Japanese mini-version. And to ensure a good, sloshy rinse, I decided to follow my fabric washing routine and put it in the utility sink for a pre-wash soaking.

Gahhh!  You can imagine my horror when I returned to transfer the quilt to the machine. What the #@*! was this?!!  There it sat in this murky, inky mess. Oh well...in for a penny, in for a pound...I decided to move forward and hope for the best.

Luckily, I had some Color Catchers on the shelf, so I emptied a full box in with the quilt.

I set the machine on 'Bulky', pressed start and held my breath...for about 45 minutes.

When the machine stopped, I was somewhat dismayed (though relieved) to find the now-dark blue Color Catchers, but at quick glance, the quilt looked ok. I decided on another rinse and threw 5 more Color Catchers in.  They emerged pure white.  BIG sigh of relief!

Ta-da!  I'm not sure what the lesson is here, if there even is one. I'm *pretty sure* that I prewashed the backing and border fabric when I made the quilt, though I remember rushing to get it finished for a Christmas mailing deadline that first year Molly was living in Japan. Did I skip the pre-wash because the print looked so safe?  If so, lesson learned, again.  All's well that ends well.

Today I'm putting the quilt in a suitcase to bring to Molly, because it's that time of year again...Tokyo Quilt Festival!  I plan to be at the show on Friday (20th) and Monday (23rd), so if you see me there, please, do say hello!  I'll be the one with the camera and the big bag of fabric.  *wink*

Cruising

This is more like it. I'm busy this week but things are finally falling into place here. I think 2012 is going to be stellar! (Attitude is probably 50%, right?) 2011 wasn't bad, but I constantly felt like things were out of control. Like waves rolling in, as I put one situation behind, another came and knocked my feet from under me. Now we're in the home where we plan to stay, in an area we're long familiar with. And just that makes such a difference.

I've already gotten one lollypop block completed, which thrills me for several reasons. I'm finally using many of the delicious Japanese fabrics I've collected over the last few years. And this quilt is destined for a specific place in our house, which will be one big step in settling in and making this seem more like home!

Because of its intended location, I've made some changes. The KM pattern makes 18" blocks, but I've reduced the block size to 15". Since the designs are symmetrical, it's been very easy to user the scanner to change the block quarters from 9" to 7.5". I'm resizing a few at a time...here's the block I intend to start later today. I'm only making 9 blocks and am focusing on the ones that have smaller pieces, though I haven't definitely decided on on the final selection.

Despite a long list of things to do the last couple of weeks, I'm happy to have had some success in reinstating some old 'good habits' and have been trying to decide on some do-able new ones to work on. I say 'some'...I feel I have a lot of areas to address. I've been dipping into these two blogs for the nudges I seem to need ...Zen Habits, an old favorite, and The Nest Effect, a new discovery. Though Zen Habits is quieter and more thought-provoking, The Nest Effect definitely has some good, applicable ideas for action. Both worthy of consideration if you're in need of a nudge, too!.

In the meantime, I've gotten a great start on shedding those holiday pounds (I mean the ones I've put on since Memorial Day!), diet and exercise-wise. I seem to have purged my sugar cravings and have been working out on a regular schedule. I had a good haircut yesterday, somewhat correcting an unfortunate situation totally brought on by me (the worst kind) before Thanksgiving as I urged my hairdresser, against her better judgement, to 'take more off the back'. I have my energy back. A good thing.

This afternoon, it's back to my list of things that need attention this week. Brushing up on things once learned but now somewhat fuzzy. Like my last haircut.